![]() During a painting you invariably find, for a variety of reasons, that you need use some glazes again and it is very difficult to mix up a perfect match. Some artists will patiently build up many thin glazes of paint to achieve a specific effect others want to get there fast and use thicker mixtures.ĩ) Airtight containers used to hold and prevent glazes from drying out. You need to experiment with various mixtures of paint, medium and water to create the type of glazes that suit your painting technique. Acrylic medium comes in bottles of gloss, and matte medium to meet a range of surface effects. Although you may use water to thin acrylic colors, it is best to add some acrylic medium to maintain the durability and elasticity of the paint. This highlights another major advantage of acrylics over oils: cleaning up after using acrylics is a more hygienic and pleasant task than cleaning up after using oils.Ĩ) Bottles of acrylic medium (gloss and matte) which were used for mixing colored glazes. When acrylic paints dry on an acrylic palette, the paint peels off like a skin and you rinse the palette in water. Pipettes are very useful tools for accurately measuring mixtures of water, medium and paint.ħ) A palette used for mixing small quantities of paint. Acrylics can be thinned, mixed and cleaned with water. A craft knife with a curved blade was also used to scrape back and repair any mistakes in painting.Ħ) Water pots and pipettes used for mixing the paint. All the fine details of our portrait were painted using sizes 1, 0 and 00 sable brushes. Acrylic paint is waterproof, flexible, non yellowing and permanent when dry.ĥ) A range of brushes used to apply the paint. These also come in bottles and jars in a wide range of permanent colors. ![]() The stretched canvas is prepared with several coats of acrylic gesso, each sanded smooth before the application of the next, creating a perfect surface for painting.Ĥ) Tubes of acrylic paint used to create the image. The materials used for our acrylic portrait of Robert Burns are displayed in our numbered illustration and described below:ġ) The preparatory drawing of Burns done in pencil on paper.Ģ) The finished portrait on a stretched canvas.ģ) Acrylic gesso that was used to prime the canvas.
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